Besides working as a professional photographer for over fifty-five years, Larry Fink has had one-man shows at New York’s Museum of Modern Art, and the Whitney Museum of Modern Art amongst others. On the European continent, he has had one-man shows at the Musee de l’Elysee in Lausanne, Switzerland and the Musee de la Photographie in Charleroi, Belgium. Recently, in the last three years, he had a traveling retrospective shown in six different Spanish museums. He was awarded the “Best of Show” for an exhibition curated by Christian Caujolle at the Arles Festival of Photograph in France. As far as being represented in group shows, the list is longer than the eye can see. Most recently, Larry has been awarded the
2015 International Center for Photography (ICP) Infinity Award for Lifetime Fine Art Photography. He has also been awarded two John Simon Guggenheim Fellowships and two National Endowment for the Arts, Individual Photography Fellowships. He has been teaching for over fifty-two years, with professorial positions held at Yale University, Cooper Union, and lastly at Bard College, where he is an honored professor.
Larry’s first monograph, the seminal Social Graces (Aperture, 1984) left a lasting impression in the photographic community. There have been twelve other monographs with the subject matter crossing the class barrier in unexpected ways. Two of his most recently published books were on several “Best Of” lists of the year: The Beats published by Artiere /powerhouse and Larry Fink on Composition and Improvisation published by Aperture. His most recent book is Opening the Sky, published by Stanley / Barker. As an editorial photographer, The New Yorker and Vanity Fair have been amongst a long list of accounts.
Coming early 2017, Fink On Warhol: New York Photographs of the 1960s, featuring rare photographs of Andy Warhol and his friends at the Factory interspersed with street scenes and the political atmosphere of 1960s New York. Additionally, he is currently working on a massive retrospective book to be published by the University of Texas Press. Grafiche dell’Artiere in Bologna will make the exquisite prints for the book.